Finally after a massive delay these 2 are out and shipping! All Preorders are allready on the way since tuesday June 10th so you should have them soon!
Author Archives: Nello Nudo
Shipping of RASHOMON & THELEMA delayed again!!!!
Due to a misprint of the Rashomon sleeve I am sorry to report another delay in the shipping of the two new titles. Friday, June 6th all preorders will be shipped! All I can say it is worth the wait!
First Teaser for LUIGI PORTO´s “L´Apocalisse delle Scimmie”
Cineploit is proud to announce the release of LUIGI PORTO´s soundtrack to ROMANO SCAVOLINI´s Opus „L´Apocalisse delle Scimmie“ which is scheduled for late August. The Album will be called “Scimmie Vol. 1” (Cine 10) and here a first teaser for this impressive score to a kolossal movie which will be released soon!
Delay on Cine 08 & Cine 09 – new release date MAY 25th!!!
New releases THELEMA “Growing” (Cine 08) & RASHOMON “The Cameraman´s Revenge” (Cine 09) delayed!!!
Due to the useless Record Store Day there is a massive delay on the two new titles – new release date 25th May! We are very sorry, presales starting now!
here a new Video for Thelema´s “Growing”
Schöne Worte von Marcus Stiglegger / Deadline Filmmagazin
War das Wiener Label Cineploit schon von Beginn an immer für Überraschungen gut hat es sich mit dem neuen Album der österreichischen Formation THELEMA nun selbst übertroffen. Statt der gewonten soundtrackartigen Passagen und gelegentlichen Melodie Hooks stehen nun tatsächlich Lieder im Zentrum, zudem gesungen von einer cleanen Frauenstimme. Das ist Jenseitspop vom Feinsten und mündet auch hier immer wieder in dronigen Abgründen, die souverän durchschifft werden. Ein reifes Album, das nicht umsonst „Growing“ heißt, aber zugleich nicht so geschmeidig im Label Programm steht wie andere. Dafür appeliert es an ein breiteres Publikum. Vielleicht gar eine gelunge Einstiegsdroge?
Anders erscheint dagegen die nach Kurosawas Filmklassiker benannte Dark Ambient/Experimentalformation RASHOMON. Das erste Album des dahinter steckenden ZOLTAN Musikers heißt „The Cameraman´s Revenge“ und bietet eine Sammlung irritierender und durchaus spannender Klangcollagen mit Ausflügen in den Goblin-artigen Progrock und Morricones filigrane Melodien. Dieses Album erschließt sich am besten über das exklusive Video, das auf einer DVD beiliegt, bewährt sich aber gerade beim mehrmaligen Hören. Futter für das innere Kino. Es bleibt spannend in Wien.
First Review on Rashomon´s “The Cameraman´s Revenge”
George Pacheco for the Boston Examiner
Rashomon is an eccentric side project of Londo-based musician Matt Thompson – who also provides heart-pounding synth soundscapes under the moniker of fellow Cineploit Records artist Zoltan – a dense and challenging outfit which takes the classic approach of „film music“ and tosses it on ist ear.
„The Cameraman´s Revenge“ is the latest Rashomon effort from Thompson and impresses big time with it´s carefully textured and densely layered approach to cinematic soundscapes. Thompson is diligent and thougthful in his composition, utilizing multiple instruments to create atmospheres which vary from malevolent and suspensful to haunting, beautiful and even occasionally humorous. Mellotron, Fender Rhodes, Jew Harp and MiniMoog meet the comparatively „traditional“ instrumentation of guitars, bass and drums to create mood music which can be tribal and discordant one minute, to subtly beautiful in the blink of an eye.
The success of Rashomon must certainly be laid squarely at the feet of Thompson´s impeccable eye for quality, as well as his obvious love for the classic cinematic music of Italy, Spain, America and of course, his native England. „The Cameraman´s Revenge“ takes it´s influence from Italian giallo and suspense cinema – particularly Ennio Morricone´s dissonant score fort he Enzo Castellari film „Cold Eyes of Fear“ – while also providing detours into psychodelic rock passages which wouldn´t sound out of place on a Popol Vuh soundtrack for a Werner Herzog film starring Klaus Kinksi.
There is also a certain playfulness to Thompson´s compositional style, one which lends itself almost to the cut and paste sound collage style of Norwegian weirdos When and Bogus Blimp. Each track here takes numerous detours during it´s sonic journey, never allowing the listener too much comfort as „The Cameraman´s REvenge“ plies it´s musical trade with a schizophrenic sense of style.
So yes, „The Cameraman´s Revenge“ may prove tob e uneasy listening at times, but the treasures which are revealed through conscious effort and patience from the listener should prove to be boundless when it comes to the sonic danger which is Rashomon.
First Review on Thelema´s “Growing”
George Pacheco for Boston Examiner/USA
Austria´s Thelema continue to grow and progress on their latest effort for homegrown label Cineploit Records, exploring dynamic and emotionally resonant territory with a starkly melodic sound.
Growing ventures further beyond the Portishead and Twin Peaks influences which defined the bands „Hearing the Light“ opus a couple of years ago via a dense layered and textured sound, one which incorporates female vocals, E-bow and ominous, tolling church bells alongside the band´s established sound of synth and piano heavy electronica.
Hans Jurgen is the man behind Thelema, and it´s on Growing where the man´s capabilities as a songwriter are truly rising to the forefront. There are moments here which speak largely of the man´s fascination with the cult scores to evocative cinema of the 1960´s and 70´s, particularly the Italian Giallo & Horror Film. There are even moments which mimic the showdowns of the old spaghetti west, amplified by Jurgen´s tasteful use of electric guitar.
There vibe of Growing is pensive for the most part, however, drawing comparisons perhaps to bands like Antimatter and Sigur Ros, while sounding entirely like no one else out there right now in the experimental, electronic music scenes. This is something to be commended, and certainly serves as a feather in the cap for Cineploit Records, for whom Thelema has clearly become a flagship act, a band whose potential is seemingly limitless when it comes to reinventing moody, melodic electronic music.
RASHOMON Video excerpt from “The Cameraman´s Revenge”
May 5th the new Rashomon will be released, until then a little Video excerpt of “The Cameraman´s Revenge” – enjoy this obscure piece!
Cine 08 & Cine 09 Releasedate 5.5.2014!
Sospetto News
Boston´s BUFF16 Festival Trailer with music from Sospetto!
“Non Bussare all porta del diavolo” beim B-Film Basterds Nürnberg !
Samstag, 10.05.14
21.15 Uhr SCARLETTO – SCHLOSS DES BLUTES / SOSPETTO (Vorstellung im Filmhauskino)
dt. Kinofassung, 35 mm + Cineploit-Vorfilm SOSPETTO (HD-Digitalprojektion)
New Teaser for THELEMA´s new album “Growing”!
New Teaser from THELEMA´s upcoming new album “Growing”!