LAWA (which is the acronym of Leonard Alain and Wank Alex) new album entitled „The Parallax View“ (Cine 23) will be released later 2020 is honoring various scores and composers from Italy and France. This track is the title track of „2019: After the Fall of New York aka Fireflash“ by Guido & Maurizio de Angelis, a score which was never released so far in any form. As the title track is never played to the end in the film LAWA continued in their own way to finish the track as it could be. In other words it starts as a „Cover“ and develops to their very own.
Nevertheless a fantastic and different score by the De Angelis brothers which has to get rediscovered and released!!!
Tag Archives: Film music
RASHOMON „Ashcan Copy“ (Cine 21) coming in October!
RASHOMON – ASHCAN COPY – FILM MUSIC VOL. III (CINE 21) LP & CD
RASHOMON are back with a wonderful release worth your cinematic ears! This fine album will be out on 180g Vinyl (300 copies on bone/orange mixed colour and 200 on solid black Vinyl) and as a CD edition in Gatefold Cardboard sleeve.
Out in October, exact release date tba.
Originally issued in 2011, Ashcan Copy is the third instalment in Rashomon’s Film Music series of LPs. Cineploit Records is proud to present this re-release, and to introduce the
record to a wider audience than the 150 lucky souls who snagged a copy of the ultra-limited initial release on Hlava Records.
Active since 2009, Rashomon is the solo project of Matt Thompson, also of Cineploit mainstays ZOLTAN. This is his second release on the label under the Rashomon name,
following 2014’s LP/DVD extravaganza The Cameraman’s Revenge: Film Music Vol. 4 (Cine 09) – the final release in the Film Music series to date.
The previous edition to this, 2009’s The Finishing Line: Film Music Vol. 2, had focused on re-creating the psychological mind-state of the wilder end of 1970s British public information films. By way of change Ashcan Copy is presented as an album of soundtrack cues fromfilms that were, for one reason or another, never released. The films, hailing from Italy, Japan and the USA (among others) supposedly date from the 1950s to the 1970s, and were (according to the extensive sleeve notes) exactingly sourced from film archives across Europe. In reality, all the music is self-composed. The eight tracks include elements of noise, folk, psychedelia, prog and noir-jazz within their elaborate constructions, created with a panoply of instrumentation including Mellotron, zither, home-made percussion, Fender Rhodes, harmonium, MiniMoog and more. Delicate and sensuous, heavy and oppressive – the record negotiates these musical contradictions while retaining a single-minded pursuit of strangeness and surprise.
Having finally found its spiritual home on cinematic specialist label Cineploit, Ashcan Copy can at last be heard by all.
#Rashomon #Zoltan #MattThompson #SynthProg #Cinematic #FilmMusic #Mellotron #Moog #progrock
Videogram “Camp Blood” 10″ Pic Disc out 13.11.2015
Videogram pays Tribute to CAMP BLOOD!
Watch out for a limited edition 10″ Picture Disc dedicated to the one and only Jason!
expected release date Friday the 13th of November!
Awesome Artwork by Andy Grail
Photo courtesy Cursed Camp Studios
SOSPETTO – unleash first Songs of their upcoming Release!
SOSPETTO unleash first songs of their upcoming Vinyl Release on Cineploit this autumn! I am absolutley excited about it and look forward to the whole album, it really sounds more than promising.
Please also check their Video clip and dive deep into a cozy Giallo mood!
