LAWA – Manifestation 180g red/black mixed coloured Vinyl LP out July 12th!

LAWA 

(Acronym for LEONARD ALAIN WANK ALEX)

MANIFESTATION 

Unreleased Film Music & more electronic Nightmares

(Cine 29)

LP 180g rusty red/black mixed colored Vinyl lim. 200 numbered copies 

Release Date  12th July 2024

The soundtrack to your electronic Nightmare!

In the ‘Covid’ years, LAWA not only composed MANIPULATION (Cine 27, 2022) and the sister album INSTRUMENTALISATION (Cine 28, 2023) – more music was also created for a documentary, which for various reasons has not yet been completed. This music contains one side of the album MANIFESTATION and was completed with further pieces from 2023. In addition to various original compositions, LEONARD + WANK also created a version of the title theme from the Italian horror film NUDA PER SATANA and made it their own, so to speak – only the basic melody, of which the original song actually consists exclusively, was created into a complete song with a beat. 

The album in its entirety is once again a soundtrack to your electronic nightmare!

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ZOLTAN Psychomania CD Version out now!

London´s Zoltan follow up their 2012 Cineploit album release “First Stage Zoltan” by honouring a classic British cult movie from the 1970´s – Psychomania aka Der Frosch!
In their very special way Zoltan took several themes and melodies from the brilliant fuzzed-out score by John Cameron, and created an epic 13 minute suite of wonderful and fantastic Soundtrack Prog!!

The CD version was so far only included to a limited DVD release of the Film as a Bonus and to a handful of LP/CD Sets of ZOLTAN ´s 2nd Opus SIXTY MINUTE ZOOM. This CD edition is strictly limited to 99 handnumbered copies in a 3 panel cardboard sleeve. 

LAWA (Alain Leonard + Alex Wank) – Instrumentalisation (Cine 28) LP + CD Presale start

LAWA – Instrumentalisation (Cine 28) is coming on Vinyl February 24th together with a CD Edition which includes Manipulation (Cine 27) in a different mix and order. There is also a 2 Vinyl/CD Set offered together with MANIPULATION, see link. #lawaband #alainleonard #leonardalain #alexwank #wankalex #cineploit #cineploitdiscs #cineploitrecords #cineploitrecordsanddiscs

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LP Sleeve
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LAWA – Manipulation (Cine 27) Vinyl OUT NOW!

The new album from LAWA, which is the acronym for ALAIN LEONARD + ALEX WANK, called MANIPULATION (Cine 27) is out on black and blue mixed 180g Wax. Housed in black paper innersleeves and in UV Spot varnished Outer. The Sister album INSTRUMENTALISATION (Cine 28) will be out early 2023 and there are options to order both allready or you take for the moment just the actual one.

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THELEMA – Studies on Atmosphere 3 CD-R Boxset

Thelema in his own words

this album was intended to give you the ideal soundscapes 
to relax, reflect about the past and to take a look into the future. 
over 3,5 hours for your listening pleasure ! 

The latest work of Thelema „Studies on Atmosphere“ is an 3,5 hour piece of work only released digitally (check the Thelema Bandcamp site) and in an handmade Edition Boxset of 3 CD-R´ s Limited to 25 copies. We have 4 copies in our Webshop!

New LAWA album „The Parallax View“ (Cine 23) coming this December!

LAWA is taking a Ride through the 70´ s and 80´ s of French and Italian cinema. From Michel Colombier, Michel Legrand and Jacques Revaux to Alessandro Alessandroni, Daniele Patucchi, Nico Catanese and G & M de Angelis. Not to forget the Master of them all, Morricone. 

In their dark electronic Style these tracks appear in a new brilliance and proof the excellent handcraft these songs were done – and they were created by extraordinaire Composers. In some cases the versions of LAWA are close to the original others were idea giver for their own creation. 

„THE PARALLAX VIEW“ (Cine 23) is coming as black or coloured Vinyl/CD Set or as CD Edition.

LAWA – After the Fall of NY (Cine 23) – new Video from upcoming album

LAWA (which is the acronym of Leonard Alain and Wank Alex) new album entitled „The Parallax View“ (Cine 23) will be released later 2020 is honoring various scores and composers from Italy and France. This track is the title track of „2019: After the Fall of New York aka Fireflash“ by Guido & Maurizio de Angelis, a score which was never released so far in any form. As the title track is never played to the end in the film LAWA continued in their own way to finish the track as it could be. In other words it starts as a „Cover“ and develops to their very own.
Nevertheless a fantastic and different score by the De Angelis brothers which has to get rediscovered and released!!!

Cinematic, #Cineploit, #AlainLeonard, #AlexWank, #ItalianGenreCinema, #GuidoMauriziDeAngelis, #DeAngelis, #SergioMartino, #Lawa, #Score, #Soundtrack, #Filmmusic, #2019AftertheFallofNewYork, #Fireflash, #CinemaItaliano

MORLOCK „Ancient Paths“ (Cine 22) coming in October!

MORLOCK – Ancient Paths (Cine 22)

LP/CD Set (180g Vinyl 300x 2-coloured/200x black, UV spot on front & back, printed Innersleeve housed in plastic outersleeve), CD as Bonus in plastic sleeve

CD (cardboard gatefold sleeve, UV spot finishing, printed Innersleeve)

Release date 25th October 2019

OVERVIEW

Prog doom drummer du jour Andrew Prestidge branches out into the field of electronic music with his solo synthesizer project MORLOCK!

After several years spent holding down the drum stool with legendary doom metal acts Angel Witch, Electric Wizard and Warning – not to mention the prog rock bands Zoltan, The Osiris Club and Suns Of The Tundra – Andrew sat down with his keyboard collection, a 4-track recorder and a selection of sonic screwdrivers to create a new kind of music.

The space-rock jams contained on ‘Ancient Paths’ are influenced as much by retro synth artists Kraftwerk, Heldon, Tubeway Army and OMD as they are by the sci-fi soundtracks of John Carpenter and the folk-horror that seeps into every corner of the British Isles. Andrew’s previous experience in live-soundtracking silent films (performing at Stewart Lee’s ATP Festival with Suns Of The Tundra to a 1919 film detailing Shackleton’s expedition to Antarctica) and reworking vintage horror scores with Zoltan guide the expansive, all-instrumental melancholy of the record. Acoustic guitars, analog synthesizers and electronic percussion coalesce into a retro-futurist soundscape for the mind’s eye.

Many of the songtitles reference occult literature and cinema: Fritz Lang’s Metropolis (‘Rotwang’s Furnace’), Phantasm (‘Morningside’), H.P. Lovecraft’s Colour Out Of Space (‘Blasted Heath’), the comics of Jack Kirby (‘Kirby Oberon’). The band name itself is a nod to H.G. Well’s classic 1895 novel ‘The Time Machine’.

The Wind in the Willows recast for the 22nd century? Quatermass and the Pit relocated to Summerisle? The music of Morlock bridges the past and the future, re-imagining both into a blend of electronic perfection.

RASHOMON „Ashcan Copy“ (Cine 21) coming in October!

RASHOMON – ASHCAN COPY – FILM MUSIC VOL. III (CINE 21) LP & CD

RASHOMON are back with a wonderful release worth your cinematic ears! This fine album will be out on 180g Vinyl (300 copies on bone/orange mixed colour and 200 on solid black Vinyl) and as a CD edition in Gatefold Cardboard sleeve. 

Out in October, exact release date tba. 

Originally issued in 2011, Ashcan Copy is the third instalment in Rashomon’s Film Music series of LPs. Cineploit Records is proud to present this re-release, and to introduce the 

record to a wider audience than the 150 lucky souls who snagged a copy of the ultra-limited initial release on Hlava Records.

Active since 2009, Rashomon is the solo project of Matt Thompson, also of Cineploit mainstays ZOLTAN. This is his second release on the label under the Rashomon name, 

following 2014’s LP/DVD extravaganza The Cameraman’s Revenge: Film Music Vol. 4 (Cine 09) – the final release in the Film Music series to date. 

The previous edition to this, 2009’s The Finishing Line: Film Music Vol. 2, had focused on re-creating the psychological mind-state of the wilder end of 1970s British public information films. By way of change Ashcan Copy is presented as an album of soundtrack cues fromfilms that were, for one reason or another, never released. The films, hailing from Italy, Japan and the USA (among others) supposedly date from the 1950s to the 1970s, and were (according to the extensive sleeve notes) exactingly sourced from film archives across Europe. In reality, all the music is self-composed. The eight tracks include elements of noise, folk, psychedelia, prog and noir-jazz within their elaborate constructions, created with a panoply of instrumentation including Mellotron, zither, home-made percussion, Fender Rhodes, harmonium, MiniMoog and more. Delicate and sensuous, heavy and oppressive – the record negotiates these musical contradictions while retaining a single-minded pursuit of strangeness and surprise.

Having finally found its spiritual home on cinematic specialist label Cineploit, Ashcan Copy can at last be heard by all.

#Rashomon #Zoltan #MattThompson #SynthProg #Cinematic #FilmMusic #Mellotron #Moog #progrock